Repertoire Type: Works by Women Composers
There is a pressing need for greater representation in the classical music canon — on the stage, in music schools, and in our practice rooms. CelloBello’s intention with all of our repertoire databases is to highlight groups whose music is often underrepresented in our field. We hope that compiling this information and making it free and accessible to the world will help us take steps towards expanding and rethinking the classical music canon. We hope this resource inspires you in the practice room, in your teaching, and in your artistic programming. Our dream would be to have such rich representation in our field that such a database would not be needed, but until that time comes we are proud to have this resource available. We hope it sparks curiosity and inspires your musical growth.
Thank you to cellist Wendy Velasco for sharing her initial work with CelloBello, and to all of her contributors that built the initial repertoire list. Another thank you to Jing Li and the rest of the CelloBello staff for the hundreds of hours they’ve poured into further research.
The information contained in the catalog is displayed using the criteria of composers’ name, country of birth, and personal website link (where available), as well as the works’ title, date of composition, duration, and instrumentation. Although this catalog does not grant specific information about purchasing scores for all of the pieces listed, it facilitates the search of scores and provides links of contact to the composers, where applicable.
Please direct any feedback, particularly information on missing works or compositional misinformation, directly to francesca@cellobello.org.
By Arnold Steinhardt March 4, 2014
Subjects Artists
Tags Arnold, beauty of phrasing, career, cello, cellobello, David Soyer, Guarneri String Quartet, In the Key of Strawberry, incisiveness, intelligence, Italy, Jacqueline du Pré, Marlboro Music Festival, memories, memory-inducing objects, musical world, obituary, Peter Wiley, posters, remembrance, Spoleto, Steinhardt, string quartet, students, teacher
By Martha Baldwin March 3, 2014
Subjects Practicing
By Arnold Steinhardt February 24, 2014
Subjects Artists
Tags Arnold, Arnold Steinhardt, artist, bold, bow control, Brahms B Major piano trio, cellist, cello, cellobello, David, David Soyer, distinctive, Ford Honors, Ford Motor Company, Guarneri String Quartet, historian, impeccable intonation, John Dalley, Marlboro Music School, Michael Tree, music, musicians, Soyer, Steinhardt, Style, Touring, Travel, tribute, University of Michigan, writer
By Thomas Rosenberg January 27, 2014
Subjects Chamber Music, Practicing
Tags Adjustments, chamber music, expressive intonation, fuzzy sound, good instrument tuning, great intonation, group intonation, hand position, intonation, intonation exercises, left hand position, Listening, onion, open strings, patience, rehearsing, Rosenberg, string groups, student ensembles, Thomas, time management, tuning, working
By Selma Gokcen January 20, 2014
Subjects Playing Healthy
Tags Alexander Technique, attention, available energy, creative, daily practice, deeper understand, effort, Einstein, flexible, free state of alertness, full attention, Gokcen, impressions, listening intently, living in question, Mind, motivation, partial attention, Patrick Macdonald, paying attention, refined skills, refining skills, releasing excessive tension, Selma, sensations, Theory of Everything, unanswerable questions, wasted energy
By Robert Battey December 15, 2013
Subjects Practicing
Tags accents, alignment, Awareness, Bach, Bach Cello Suites, bar lines, Battey, Beethoven’s “Archduke” Trio, Brahms Double Concerto, Capucon, cello, cellobello, communication, complexity, conservatory, counting, dissonance, Feuermann, focused listening, great artists, great composers, intelligent artist, interpreter, interpretive decisions, intonation, melody, metrical organization, musical critic, musical phrasing, performer, phrase lengths, phrasing, powerful, recordings, resolution, robert, Rostropovich, score-study, slurs, studying, stunning effect, stylistic conventions, text, vibrato, Washington Post, Yo-Yo Ma, youtube
By Aron Zelkowicz December 8, 2013
Subjects Interviews, Repertoire
Tags Aron, Britten, Britten Cello Suites, Britten Cello Symphony, cello, cellobello, chant, conducting, improvisation, interview, Introduzione, Isserlis, manuscript, multiple versions, performance, premiere, recording, Rostropovich, Russian Orthodox Liturgy, Shostakovich, Sonata, Steven, Tavener, third suite, Zelkowicz
By Natasha Farney December 5, 2013
By Selma Gokcen November 26, 2013
Subjects Playing Healthy
Tags accuracy, act, Alexander Technique, attention, Awareness, back, blog, cello, cello playing, cellobello, detect your intention, discovery, distress, effect, effect on cello playing, effortless quality, experiment, familiar, fingers, Gokcen, Habits, head to toe, holding, motion, neck, neuromuscular system, our surroundings, overdoing, pack up our habits, position of rest, Preparation, response, response to life, Selma, sitting, solution, standing, successful functioning in daily activities, support, tension, the preparation phase of movement, well-practiced
By Aron Zelkowicz November 21, 2013
Subjects Interviews, Repertoire
Tags analysis, Aron, Bach, Benjamin Britten, Britten, cello, cello suites, cellobello, Colin Carr, composition, differences in performance, Growth, interview, live recording, live-performance, Menlo, Menuhin School, microphones, Music@Menlo, performance, recordings, Rostropovich, solo debut album, Suites, Zelkowicz