interview

Conversation with Alban Gerhardt (April, 2003)

  After winning several international competitions early on (Wettbewerbserfolgen 1990 at the ARD, and the Leonard Rose International Competition in 1993), Alban Gerhardt has established himself as one of the world's leading cellists. His career-launching debut with the Berlin Philharmonic Orchestra has led to performances as soloist with such orchestras as the NDR Hamburg, Leipzig, Munich, and Frankfurt Radio Orchestras, Bamberg Symphony, Gewandhausorchester Leipzig, Dresden, Hamburg, and London Philharmonic Orchestras, Royal Scottish National Orchestra, BBC Scottish Symphony, BBC Philharmonic, Mozarteum Orchestra Salzburg, National Symphony, Houston and Chicago Symphony Orchestras, Orchestre de la Suisse Romande, Orchestre National de Belgique, St. Petersburger Philharmonikern, Shinsei Symphony Orchestra Tokyo and Nagoya Philharmonic Orchestra, Hong Kong Philharmonic, as well as the chamber orchestras of Lausanne, Amsterdam, Cincinnati, and St. Louis. Among the distinguished conductors with [...]

Conversation with Aldo Parisot (May, 2001)

Long acknowledged as one of the world's master cellists, Aldo Parisot has led the career of a complete artist —as concert soloist, chamber musician, recitalist, and teacher. He has been heard with the major orchestras of the world, including Berlin, London, Paris, Amsterdam, Stockholm, Rio, Munich, Warsaw, Chicago, Los Angeles, Pittsburgh, etc. under the batons of such eminent conductors as Stokowski, Barbirolli, Bernstein, Mehta, Monteux, Paray, Carvalho, Sawallisch, Hindemith, and Villa-Lobos. As an artist seeking to expand his instrument's repertoire, Mr. Parisot has premiered numerous works for the cello, written especially for him by such composers as Carmago Guarnieri, Quincy Porter, Alvin Etler, Claudio Santoro, Joan Panetti, Yehudi Wyner, and Villa-Lobos, whose Cello Concerto No. 2 (written for and dedicated to him) was premiered by Mr. Parisot in his New [...]

Welcome to CelloBello’s Back to School Week Celebration!

Hello CelloBello Fans! With school back in full swing, we're excited to officially kick off the fall season here at CelloBello! Stay tuned for a packed week of new and original CelloBello releases: Monday: an exclusive masterclass with Yo-Yo Ma on the Elgar Concerto, Mvts. 3 &4 Tuesday: a new blog from Michael Haber, "Practicing, Some Practical Advice" (Part 1) Wednesday: two new CelloLessons from CelloBello's founder Paul Katz, "Eliminate Left Hand Tension" Thursday: Part 2 of Michael Haber's "Practicing, Some Practical Advice" Friday: an interview with Alisa Weilerstein, "The Psychology of Sound Production" Enjoy!

By |2017-09-20T12:48:00+00:00September 19th, 2017|Categories: News|Tags: , , , , |

Yo-Yo Ma on Intonation, Practice, and the Role of Music in Our Lives

Reprinted from Strings Magazine, September 17 2015 By Martin Steinberg: "A cellist walks on a beach and picks up a bottle. A genie pops out and says, “I give you two wishes.”  The cellist says: “Wow, I’d like to have world peace.”  The genie thinks for a second and says,  “That’s too hard! What’s your second wish?” The cellist says, “Well, I’m turning 60 and I want to play in tune.”  The genie thinks for a second and says, “What was your first wish again?”  Musicians, take heart. That joke was told by the cellist Yo-Yo Ma during an interview ahead of his 60th birthday on Oct. 7. After 55 years of playing, yes, even Yo-Yo Ma needs to practice. “What all string players have in common is that if [...]

By |2019-06-03T21:53:30+00:00June 28th, 2016|Categories: Interviews, Self Discovery|Tags: , , , , , |

The Britten Cello Suites (Part 5): An Interview with Steven Isserlis — by Aron Zelkowicz

Your 1992 recording of Britten's Third Suite is widely known, due to its pairing with John Tavener's "The Protecting Veil" (which has been called a "cult" recording).  Do you have any approximate idea of how many copies that album has sold? I don't know—quite a few, anyway. I wonder how many people have listened to the Britten, though! There's another connection: the very first time I went to see John Tavener with my cello, I played him the passage in the coda of the Britten where the cello breaks into a chordal version of the chant for the dead—like a Russian Orthodox choir.  I remember him saying how wonderful that music sounded on the cello.  Much later, John heard me play the whole suite, and—rather to my surprise, because it [...]

The Britten Cello Suites (Part 4): An Interview with Colin Carr — by Aron Zelkowicz

  Two of my favorite recordings of the Third Britten Suite are both by Colin Carr, with whom I studied during a summer in high school and then years later as a doctoral student.  On both occasions I brought the Third Suite to my lessons.   You first recorded the Third Suite on an album for GM Records, “Unaccompanied Cello”, with solo works by Kodaly, Crumb, and Schuller.  Was this your solo debut album? I had a recording made as part of the Naumburg competition prize, Franck and Debussy sonatas and a few little Faure pieces, but this was my first commercial recording. Why did you choose to include the Britten with these other works? I wanted it to be all unaccompanied and didn't want to play Bach. That meant a [...]