David

Dave — by Arnold Steinhardt

David Soyer, cellist and founding member of the Guarneri String Quartet, passed away on February 26, 2010—one day after his 86th birthday. Michael Tree, violist, and John Dalley and I, violinists, the other founding members, played in the quartet with Dave for almost forty years and we knew him for close to fifty. Peter Wiley, a former cello student of Dave’s and his successor in the Guarneri Quartet, has known him for easily forty years. Given the close musical and personal relationship that we had with Dave stretching over decades, it is hard to believe that he is no longer with us. Dave and I first met at the Marlboro Music School—quite literally at a rehearsal for Brahms B Major Piano Trio. In the course of that two-hour rehearsal, I [...]

Passing It On — by Brant Taylor

A few weeks back, I was having a post-concert drink with my friend and colleague Joshua Gindele, cellist of the Miro Quartet, and the conversation turned to teaching. Though we are both associated with ensembles that perform dozens of concerts every season, teaching the cello is an important component of both of our musical lives. (Josh teaches at the University of Texas at Austin, and I teach at DePaul University.) Discussions on the general relationship between performing and teaching often give rise to interesting questions, some without straightforward answers. Many performers teach even though the skill sets required for good teaching and good performing are far from identical. If great teaching is something that is learned, when and how are the skills acquired? If a performer is a big star [...]

I Found my “Dream Quartet” in an Unexpected Industry — by Margo Drakos

My love for string quartets drew me to the cello, or rather, it motivated me to practice. It isn’t just the repertoire—I was hooked by the music the first time I ever heard the early Guarneri recording of the Cavatina and Grosse Fuge.  I love the idealist concept of a quartet, and the feeling of playing an individual voice that joins together with three other voices to form a single interdependent expression.   I also love the cellist’s role in a quartet, as it requires a multitude of skills.  At once the quartet cellist is the anchor, sometimes quietly without notice, sometimes with declarative strength, sometimes a supportive counterpart, yet at other times is the prominent, docile melody.  I have taken great pride in seeking the seemingly unattainable perfection of [...]