Carter Brey, Principal Cello of the New York Philharmonic, in conversation with Paul Katz.

  • What orchestral audition committees want to hear
  • Audition misconceptions
  • Chamber music experience helps orchestral auditions
  • Dos and Don’ts: vibrato, glissandi, rhythm

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cellowisdom

Everyone knows what they can’t do – our weaknesses scream at us every day. To perform, you must know what you can do and bring the attention of your audience to those strengths. Gregor Piatigorsky