Performance

On Interpretation

Interpretation as Communication. Discussion of Bach d minor Prelude.

Wispelwey: Why I Love Practicing

Pieter Wispelwey in conversation with Paul Katz

Wispelwey on Stage Fright

Pieter Wispelwey in conversation with Paul Katz

Natasha Brofsky Master Class: Lutoslawski Grave

Cello and Piano

Laurence Lesser Master Class: Barber Sonata in c minor

1st and 2nd Movement

Paul Katz Master Class: Beethoven Sonata No. 4 in C

Op. 102 No. 1, 1st Movement

Ralph Kirshbaum Master Class: Bach Cello Suite No. 5 in c minor

Prelude/Fugue, Allemande, Sarabande

Pieter Wispelwey Master Class: Bach Cello Suite No.1 in G Major, BWV1007

Prelude, Allemande, Courante, Sarab

Ralph Kirshbaum Master Class: Prokofiev Cello Sonata in C

Op. 119, 1st Movement

Gary Hoffman Master Class: Elgar Concerto

1st and 2nd Movement

Pieter Wispelwey Master Class: Schubert Arpeggione Sonata

1st Movement

Ears, Mind, Body – Part 2

Where True Artistry Begins

Ears, Mind, Body – Part 1

Empower the Ears and Heart to Lead

Shifting: The Ears are Boss

Intonation: Ears Guide the Hand

Artistry in Sound

Expressive Use of the Bow