vision

Composing and Playing Music: How Composing Helps Your Playing — by Lev Mamuya

Composing one’s own music can prove to be a very valuable resource when it comes to interpreting the music of others, and vice versa. As a composing musician myself, I find that as I get more advanced in each field, each one’s development seems to promote the other’s. Through composing my own music I have not necessarily gained a greater technical facility, but a more complete understanding of the markings in the music that I play and a deeper appreciation of the composer’s intentions.  The practice of putting in more detailed markings has developed over time. The music of 20th century composers is generally more specific marking-wise than the music of the Baroque era in terms of what composers actually wrote into the music. For instance, the Debussy Cello Sonata [...]

Behind the Scenes of a Music Festival (Part 1): The Vision Thing — by Aron Zelkowicz

By self-imposed annual tradition, recent weeks have been crunch time, when a year’s worth of planning comes to fruition.  My pet project, the Pittsburgh Jewish Music Festival, held sway in early June where, for the past several years, it has settled in the form of four concerts.  I thought it might serve as a useful case study to explore various behind-the-scenes topics. This is the season when myriad music festivals around the country are in full bloom.  What is the take-away experience from any one of these that makes it unique?  Even traditional chamber music festivals have their own trademark DNA that set them apart, from big issues (BUDGET, LOCATION) to small (I’m playing in a festival this summer that offers a cookbook featuring the players’ signature recipes—cool!).  Festival X [...]