virtuosity

Bach Suites and You – by Robert Battey

“In a work of art the intellect asks questions; it does not answer them” -Friedrich Hebbel Few tasks are more daunting than attempting to discern and convey J.S. Bach’s precise intentions for his Cello Suites.  Just playing them is hard enough, but a true and meaningful interpretation of the Suites requires an entirely different heuristic model than that of our other repertoire.  This is because the autograph of the Suites has been lost, and we are left only with several flawed and inconsistent copies.  Since there is no original source, everything, from notes to rhythms to phrasings, must be questioned. With many pieces, one can rely on the fidelity and accuracy of a high-quality edition, prepared either from autographs or composer-supervised prints.  There, you have the simple choice of either [...]

New and Old — by Yeesun Kim

This summer I had two very different experiences performing contemporary pieces. The first piece, as it turned out, had several performances spread over two months. Two concerts included working with the composer prior to the concert. The second piece was set up to be only performed once, without the composer's presence and with only two days of rehearsing. Both pieces were quite difficult in their own ways. The first piece called for virtuosity, stamina and the ability to clearly outline the structure and narrative in order to hold the piece together. The second piece was almost the exact opposite. Short and obsessively detailed in its use of sound effects, it abounded in the use of extended techniques.  It employed extremely soft dynamics and seemed to purposefully obscure perceptible structure in [...]

“Which Hand Do You Hear?” — by Bonnie Hampton

When Paul Katz invited me to participate in the “CelloBello” Blog, I was intrigued and immediately saw his idea of a free exchange of cellists sharing their experiences, exploring ideas together and just being in contact as a larger community.  As cellists,we have a rich heritage and spirit and we certainly love that instrument a great deal.
  Otherwise, why would we carry it all over the world! There is so much to explore, but one thing which I find an endless investigation is the whole use of the bow.  Of course, all the issues of the left hand are immediate.  We play the notes.  Expressively, our uses of vibratos are part of our individual “voice,” but while one might call the work of the left hand, our craft, how we [...]