string crossings

The Joy of Feuillard – A Sequential Approach to Teaching Bow Technique (Part 19 – Feuillard No. 34 – Variations #6-12)

Last week's Blog dealt with some Arc and Figure Eight bowing figures. Today's blog will continue the Feuillard variations in No. 34 with some Wave and Circle bowing figures, and add some detaché motions to the mix. The string crossings here should happen with the upper arm, and the detaché stroke is with the lower arm. Variations #6 and #7:       In these variations we have both horizontal and vertical motions. The vertical motion is the string crossing - in this case going from the D-string to the A-string with the upper arm.  The horizontal motion is the detaché with the lower arm.  The important thing is that when there are two different motions going on simultaneously (vertical and horizontal) we should use two different part of the arm. For [...]

The Joy of Feuillard – A Sequential Approach to Teaching Bow Technique (Part 18 – Feuillard No. 34 – Variations #1-5)

In the last lesson I gave Tristan lot of information about the parts of the arm that do the vertical and horizontal motions, and I showed him the four basic bowing figures.  In the next lesson I usually ask the students to give me the "lecture" back. In this video, Tristan takes me through all the information from the previous week and he demonstrates all the bowing figures to make sure that he has absorbed all the information. https://www.youtube.com/watch?v=rAOqGX-WK-c&w=560&h=315   Notice that I am not talking with Tristan about things like bow changes at this point. I want him to focus on the main issues of the bowing figures, bow angles, left/right motion, etc. Other subtleties will come later. As teachers we always have to pick and choose what the most [...]

The Joy of Feuillard – A Sequential Approach to Teaching Bow Technique (Part 17 – Feuillard No. 34 – Basic String Crossing Information)

With this blog we will start working on Feuillard No.34, which focuses on the important topic of string crossings. No. 34 deals with string crossings across two strings; No. 35 is about string crossings across three strings; and No. 36 works on string crossings across four strings.  This topic is critical for string players – we work our entire life trying to make string crossings smooth, connected, and ergonomically correct. We try to use the correct parts of the arm, keeping the joints well-oiled and flexible. We try to make the hard bones of our arms look like they are soft and pliable like the “break-dancers” of the 60’s and 70’s. Fluent bow arms are not only beautifully functional, but they are aesthetically pleasing. Think of French cellists such as [...]

Exploring Beethoven’s Fifth: Second Variation — by Jonathan Pegis

Picking up where we left off last time, at the conclusion of variation 1 it is a good idea to keep counting in between the two variations.  You want to play this second variation in the exact tempo as the theme and first variation.  I will say right at the outset that there is no ideal fingering for this excerpt!  It just doesn’t lie well on the cello.  My fingering is a bit unusual in that I do not use the thumb at all, or any open A strings.  I do, however, use the A string for some of the notes.  I highly recommend not playing the open A just because it tends to really stick out.  Many cellists don’t use the A string at all which is also fine [...]