solo suites

Conversation with Anner Bylsma

        Dutch cellist Anner Bylsma received his first lessons from his father and concluded his instruction with Carel van Leeuwen Boonkamp at The Hague Conservatory, when he was awarded the Prix d’excellence. In 1959 he won a prestigious first prize from the Pablo Casals Concours in Mexico. He was solo cellist with the Concertgebouw Orchestra in Amsterdam from 1962 to 1968. He performs regularly around the world as a soloist and recitalist, and has recorded for Das Alte Werk, Telefunken, Decca, Harmonia Mundi, Seon, RCA, Phillips, and EMI. Anner Bylsma is perhaps most famous for his interpretations of the music of Baroque and Early Classical periods. He recently published a book on the Bach Solo Cello Suites, entitled “Bach, The Fencing Master - Reading aloud from the [...]

The Britten Cello Suites (Part 1) — by Aron Zelkowicz

Cellists have as much reason as anyone to celebrate the upcoming Benjamin Britten centenary, if not more so.  The five major cello works he wrote for Mstislav Rostropovich – the sonata, the Symphony Concerto, and the three solo suites – have been taken up in short order as standard repertoire.  By my unofficial count there are twenty recordings of the complete cello suites on the market, not to mention sixteen “incomplete” cycles of one or two suites here and there.  So it can be easy to forget that this music hasn’t been around for very long.  Those of us of a certain age can remember relics like the individually published suites, each score with its distinctly colored cover.  Or Rostropovich’s classic 1970 LP titled, rather definitively, “Britten: The Suites for [...]