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The Swan — by Arnold Steinhardt

When I was eleven years old, my violin teacher assigned me The Swan by Camille Saint-Saëns. I had no idea that The Swan was a famous cello solo or that it was part of a much larger work, “The Carnival of the Animals.” I had never even heard of its composer, Saint-Saëns, or seen his name in print before. I wondered why there was a funny line between his two-word last name and what could be the purpose of those strange dots perched on top. And was Saint-Saëns actually a saint? I thought that The Swan was very pretty and probably associated the music’s title with its general mood in some vague way. As a child, I often saw swans gliding regally through the water on the lake near where [...]

A New Year’s Goal-Setting Session — by Mark Summer

As the New Year dawns bright and full of possibilities, (the financial cliff not withstanding), this is a useful time to contemplate where we stand on our path of development as musicians, and to think thoughtfully about where we’d like to be in the coming year. My wife and I make it a priority to take turns, voicing our goals, and writing down each other’s dreams and aspirations for the coming year. It gives us a supportive place to dream big and to begin to put into practice what we are imagining for ourselves. Even if you don’t put much credence in books like “The Secret”, which posits that positive thinking brings us what we think about, I think that we can all agree that it’s useful to know what [...]

I Found my “Dream Quartet” in an Unexpected Industry — by Margo Drakos

My love for string quartets drew me to the cello, or rather, it motivated me to practice. It isn’t just the repertoire—I was hooked by the music the first time I ever heard the early Guarneri recording of the Cavatina and Grosse Fuge.  I love the idealist concept of a quartet, and the feeling of playing an individual voice that joins together with three other voices to form a single interdependent expression.   I also love the cellist’s role in a quartet, as it requires a multitude of skills.  At once the quartet cellist is the anchor, sometimes quietly without notice, sometimes with declarative strength, sometimes a supportive counterpart, yet at other times is the prominent, docile melody.  I have taken great pride in seeking the seemingly unattainable perfection of [...]

Three Cellos are Better Than One — by Lluís Claret

Greetings from Spain to all CelloBello people! This is a big honor and I am full of excitement to be joining your community! I would like to begin my first blog with some personal thoughts about: three cellists living together at home! Yes, my family is made up of 3 cellists: my wife Anna, a former student and assistant; our son Daniel, also a former student; and myself. (Our daughter Aina "just" plays piano...!) Some of my colleagues may find it hard to believe we could have a successful, "peaceful" family life when there are 3 different cello personalities sharing practice space and time under the same roof. But I can tell you, it works. So, what makes it possible? Gÿorgy Sebök, the great pianist, pedagogue, and one of my main musical [...]