possibilities

“Which Hand Do You Hear?” — by Bonnie Hampton

When Paul Katz invited me to participate in the “CelloBello” Blog, I was intrigued and immediately saw his idea of a free exchange of cellists sharing their experiences, exploring ideas together and just being in contact as a larger community.  As cellists,we have a rich heritage and spirit and we certainly love that instrument a great deal.
  Otherwise, why would we carry it all over the world! There is so much to explore, but one thing which I find an endless investigation is the whole use of the bow.  Of course, all the issues of the left hand are immediate.  We play the notes.  Expressively, our uses of vibratos are part of our individual “voice,” but while one might call the work of the left hand, our craft, how we [...]

Practicing What You Preach: Some Thoughts on Balancing Performing and Teaching — by Natasha Brofsky

During my preparation for playing a faculty recital at NEC’s Jordan Hall at the end of March, I found myself thinking a lot about the challenges of maintaining a teaching and performing career.  I always find it the most challenging to play for the “home crowd,” especially students and colleagues, because I hope that I will in some way be able to “practice what I preach.” As a cello teacher my listening is focused on how a phrase could be played in a different, more compelling way, and how technique can serve the music. I find that turning my critical teaching ear on myself can inspire me but also paralyze me, because while I am playing I am hearing all the possibilities for doing it better: all the ways I have taught [...]

To Mic, or Not to Mic — by Jeffrey Zeigler

I must admit that I myself am relatively new to the use of sound design. Previous to joining Kronos I had only dabbled here and there, and even then only in small amounts. Like so many cellists that graduate from conservatory, it really wasn’t something that I encountered very much except in specific 20th century works that required its use. In fact, I would say that, like so many, I viewed the use of amplification as a form of cheating.   To some degree, I do not completely disagree with this notion. Like all tools, it isn’t the tool itself that is the problem, but what one chooses to use it for.  If one uses amplification simply in order to play louder, then you are in fact cheating. However, like any [...]

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