Pierre Fournier

Conversation with Zara Nelsova (June, 2000)

  The second generation of a distinguished Russian musical family, Ms. Nelsova was born in Canada, educated in England, and is a citizen of the USA. She made her debut with the London Symphony at age 12, and since that time has regularly toured every continent, including her triumphant tour of the Soviet Union in 1966 as the first to  be made by an American soloist.   Zara Nelsova has appeared with virtually every major orchestra in North America including those of New York, Boston, Chicago, and Philadelphia. She has appeared with numerous European orchestras including the Concertgebouw Orchestra of Amsterdam, Royal, Berlin, and London Philharmonics, the BBC and London symphony orchestras, and in Warsaw and Poznan with the Amadeus Chamber Orchestra. She has collaborated with such eminent conductors as [...]

Conversation with Shauna Rolston (January, 2006)

Having been named "Young Artist to Watch" by Musical America and the youngest recipient of the Pro Musicis International Award, celebrated cellist Shauna Rolston is considered to be one of the most compelling musicians of her generation. She has been praised for the ease and naturalness of her technique, her pure intonation, sheer fearlessness, and her ability to produce a huge tone and to play with great delicacy. According to Classic CD Magazine "…her recording of Elgar's cello concerto is worthy to stand alongside Jacqueline du Pré's classic account. This could be the most remarkable performance of the last 20 years." Following her formative studies at the renowned Banff Centre, Shauna earned a Bachelor of Arts degree in Art History from Yale University and a Master of Music degree from [...]

To Change or Not to Change — by Selma Gokcen

“Change involves carrying out an activity against the habit of life.” “You can’t do something you don’t know, if you keep on doing what you do know.” —F.M. Alexander Summers take musicians to new places where teachers and students meet for the first and sometimes the only time, and within this one or perhaps two or three encounters, Chance and Fate can open unexpected doors. Being out of our familiar circumstances and roles and away from the people we see every week in the same place—and for the same reason—provide just the right marinating sauce for Serendipity. It was during a summer festival in Belgium that I met two Alexander teachers and had my first lesson. I wasn't aware of the effect of that lesson at the time but four years later I [...]

Bach Suites and You – by Robert Battey

“In a work of art the intellect asks questions; it does not answer them” -Friedrich Hebbel Few tasks are more daunting than attempting to discern and convey J.S. Bach’s precise intentions for his Cello Suites.  Just playing them is hard enough, but a true and meaningful interpretation of the Suites requires an entirely different heuristic model than that of our other repertoire.  This is because the autograph of the Suites has been lost, and we are left only with several flawed and inconsistent copies.  Since there is no original source, everything, from notes to rhythms to phrasings, must be questioned. With many pieces, one can rely on the fidelity and accuracy of a high-quality edition, prepared either from autographs or composer-supervised prints.  There, you have the simple choice of either [...]