Piatagorsky

Exiles in Paradise: on the “Hollywood Renaissance” and Finding New Repertoire for the Cello: Part 2

This article is the second installment in a two-part series   As we discussed in part 1,  war and persecution in Europe created an unprecedented gathering of émigré musical talent in Los Angeles in the mid-20th century,  including Jascha Heifetz, William Primrose, Artur Rubinstein, Otto Klemperer, Bruno Walter, and Lotte Lehmann. Of particular interest to cellists, Los Angeles in this era was also home to top cellists including Gregor Piatigorsky, Emanuel Feuermann (for the last several summers of his life), Kurt Reher, Eleanor Aller (Slatkin), Gabor Rejto, Edgar Lustgarten and Ray Kramer, to name just a few, and the hometown of future stars such as Paul Katz, Laurence Lesser and Nathaniel Rosen.   But perhaps most remarkably, Los Angeles was the home of arguably the greatest collection of composers to [...]

By |2020-09-17T02:35:10+00:00March 24th, 2020|Categories: Artistic Vision, In the Practice Room, Repertoire|Tags: , , |

Conversation with Eleonore Schoenfeld (August, 1999)

Interview by Tim Janof Eleonore Schoenfeld earned her Artist Diploma at the famed Hochschule fur Musik in Berlin, Germany. An internationally known cellist, she has concertized in four continents as soloist with leading Philharmonic and Radio Orchestras, in recitals, and in a violin-cello duo with her sister, Alice Schoenfeld, known as the "Schoenfeld Duo." She has made numerous recordings of the solo and chamber literature for major TV and radio stations in Europe and the USA. Among them are works specifically written for the Schoenfeld Duo, which has recorded for Everest and Orion Master Recordings. She has been the Director of the international Gregor Piatigorsky Seminar for Cellists in Los Angeles since 1979. A renowned pedagogue, she is Professor at the University of Southern California (USC), where she has been [...]

Conversation with Dimitry Markevitch (February, 1999)

Interview by Tim Janof Cellist Dimitry Markevitch's interests cover a variety of areas, including musicology, research into stylistic traditions, and teaching. He is a member of the American Musicological Society and the Société Française de Musicologie. He founded the Institut de Hautes Etudes Musicales (IHEM) in Switzerland. He discovered the Westphal and Kellner manuscripts of the Bach Suites, which had eluded musicologists for decades. He published his own edition of the Bach Suites (in its 3rd edition), which incorporates these manuscripts as well as the Magdalena. In 1964 he presented his edition in recital in Carnegie Hall in New York, playing all six suites in a single concert. He discovered two unknown works by Ludwig van Beethoven: the Sonata for Violoncello and Piano, Opus 64, and the Kreutzer Sonata, transcribed [...]

By |2020-06-02T02:01:36+00:00October 27th, 2019|Categories: Internet Cello Society Archive, Performance|Tags: , , , , |

Conversation with Stephen Kates (September, 2002)

Interview by Tim Janof Stephen Kates studied with Gregor Piatigorsky, Leonard Rose, Claus Adam, Laszlo Varga, and Marie Roemaet-Rosanoff. He was awarded the Silver Medal at the Third International Tchaikovsky Competition in 1966 in Moscow, where he returned as the American juror in 1986. He has made solo appearances with the world's greatest orchestras in New York, Chicago, Boston, Philadelphia, Detroit, Cincinnati, San Francisco, Atlanta, Baltimore, Leningrad, and Los Angeles. He is a former President of the Violoncello Society in New York. For seven summers he was a member of the faculty of the Music Academy of the West in Santa Barbara, California, and has taught at the Peabody Institute in Baltimore for almost 30 years. He has recorded for the RCA, Denon, Melodiya, Orion, CRI, and Bainbridge labels.   [...]

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