Performing Archives

Conversation with David Tonkonogui (May, 1993)

Interview by Tim Janof For those of you who haven't heard of David Tonkonogui, he is the most recent addition to the Seattle Symphony cello section. He is also an active chamber musician in Seattle and has won the hearts of all who have heard him. For those of you who have not heard him play, I highly recommend you go to any chamber concert in which he plays. TJ: First of all, please pronounce your last name. DT: Tonkonogui (Tawn-ko-no-gee) TJ: Where does your name come from? DT: It's derived from Russian. I admit that it's an unusual Russian name. I've never met anybody in Russia with the same last name. But I have met several people in Seattle who trace the origin of their names back to my [...]

By Tim Janof|2024-07-08T12:56:23-04:00December 2nd, 2020|Categories: Internet Cello Society Archive, Interviews|Tags: Internet Cello Society, ICS, Natalia Gutman, Interviews, Interpretation, Performing, musicality, Yo-Yo Ma|

The Britten Cello Suites (Part 1) — by Aron Zelkowicz

Cellists have as much reason as anyone to celebrate the upcoming Benjamin Britten centenary, if not more so. The five major cello works he wrote for Mstislav Rostropovich – the sonata, the Symphony Concerto, and the three solo suites – have been taken up in short order as standard repertoire. By my unofficial count there are twenty recordings of the complete cello suites on the market, not to mention sixteen “incomplete” cycles of one or two suites here and there. So it can be easy to forget that this music hasn’t been around for very long. Those of us of a certain age can remember relics like the individually published suites, each score with its distinctly colored cover. Or Rostropovich’s classic 1970 LP titled, rather definitively, “Britten: The Suites for [...]

By Aron Zelkowicz|2022-03-18T13:25:36-04:00November 12th, 2013|Categories: Performance, Repertoire|Tags: genius, Mstislav Rostropovich, cellobello, 1971, navigation, movements, Benjamin Britten, non-verbal drama, Britten solo cello suites, pizzicati, personality, canto, silences, centenary, solo cello suites, Aron, compelling interpreters, solo suites, Zelkowicz, effect, opera, grandiose, Janos Starker, Suites, indulge, Performing, Effective, memory, cello|

Developing a Technique to Improve Your Talent

In the United States, there has been a strong push to reform our general education in recent years, with federal initiatives like No Child Left Behind and Race to the Top capturing headlines as innovative ways to improve the worst-performing schools in our country. On the other extreme are teachers like me who are working primarily with students one on one in intensive hour-long lessons on a weekly basis to achieve the pinnacle of possibility. One thing that has always fascinated me is the question of talent: is it innate, or can one learn it? Many of my teachers have made statements such as “anyone can be taught how to play the cello, but there are some things that are innate and cannot be taught,” “That’s god-given talent” and so on. I have [...]

By Gregory Beaver|2019-03-04T03:19:01-05:00May 20th, 2013|Categories: Artistic Vision, In the Practice Room, Performance, Playing Healthy, Self Discovery|Tags: complete release, conventional wisdom, motivation, Developing a Technique, Technique, focus points, improvement, general education, talent, improving your talent, speeding up the learning process, teachers, Performing, breathing, cello, bow grip, goals, bow arm|

Behind the Scenes of a Music Festival (Part 1): The Vision Thing — by Aron Zelkowicz

By self-imposed annual tradition, recent weeks have been crunch time, when a year’s worth of planning comes to fruition. My pet project, the Pittsburgh Jewish Music Festival, held sway in early June where, for the past several years, it has settled in the form of four concerts. I thought it might serve as a useful case study to explore various behind-the-scenes topics. This is the season when myriad music festivals around the country are in full bloom. What is the take-away experience from any one of these that makes it unique? Even traditional chamber music festivals have their own trademark DNA that set them apart, from big issues (BUDGET, LOCATION) to small (I’m playing in a festival this summer that offers a cookbook featuring the players’ signature recipes—cool!). Festival X [...]

By Aron Zelkowicz|2017-11-01T00:33:07-04:00July 16th, 2011|Categories: Artistic Vision, Chamber Music, Repertoire|Tags: cello, Aron, cellobello, composer, music, resources, Experience, score, vision, musicians, Zelkowicz, Community, artistry, support, Beethoven, training, Performing, festivals|

Self-Motivation and Summer Vacation — by Brandon Vamos

As I helped my students over the last few weeks in preparation for their juries and looked through my calendar to discover how many recitals I will be attending before the middle of May, it suddenly hit me. The end of the school year is upon us once again. That time when there’s one final burst of juries and lessons, tests and papers before summer vacation hits. And after a long academic year, summer vacation can offer a welcome change. I remember those summers I was attending summer programs, and had three or four weeks off, or those students who sometimes have the entire summer devoted to working or relaxation. But regardless of what your summer plans may look like this year, I’d encourage you to remember one very important [...]

By Brandon Vamos|2018-03-14T04:34:06-04:00May 5th, 2011|Categories: In the Practice Room, Self Discovery|Tags: scales, Practice, improvement, Brandon, recording, arpeggios, scheduling, student, school, career, success, Summer, Growth, challenges, Performing, focus, cello, motivation, cellobello, practicing, Experience|

Raising Your Self-Awareness — by Brandon Vamos

I recently worked with a student preparing a Bach suite for his recital. In his lesson, he was struggling with the many challenges one faces when playing Bach. A week later he performed the entire suite in studio class and I was taken aback by the dramatic improvement. He played the work with great poise, clarity, and a much higher level of solidity and intonation. I was curious about this sudden jump in playing level and asked him what his focus had been during that weeks’ preparation. His answer was that he had become much more self-aware and objective of his playing. He had made a conscious effort to sit back and get a true sense of what was coming from his instrument. The result? He was better able to [...]

By Brandon Vamos|2020-09-17T02:37:28-04:00March 14th, 2011|Categories: Artistic Vision, In the Practice Room, Self Discovery|Tags: tone, Practice Room, Performing, results, Experience, Preparation, Sound, Awareness, student, Bach Suites, clarity, concentration, intonation, musical phrasing|