musical language

A Cellist in Kabul (Part 1) — by Avery Waite

On September 4th, I packed up my things, hopped in a taxi and drove to JFK airport. My destination, Kabul. My job, the new cello teacher at the Afghanistan National Institute of Music. When I first heard about the opportunity to teach in Kabul, I knew deep down that I had no choice but to go. Something drew me to it. I applied for the job without really thinking it through completely. But when I was actually offered the position, I had to really take a step back and give it some serious thought. In fact, it took me almost three months to fully accept the decision I had made to go. Some days I would be thrilled and excited, and other days I would be scared out of my [...]

Learning Through Listening — by Yeesun Kim

The other day in my studio class, an excellent question was brought up by one of the students.  How do we use the recordings of artists for study purposes? What is the right way and amount to listen to these recordings? How much imitation is acceptable? Can it be somehow detrimental? We had a wonderful discussion where everyone chimed in to share their experiences and thoughts about this question. It is a very important issue to be thinking about, considering how much easier it is to be downloading recordings than attending concerts these days. There are so many ways to collect many different versions of a piece one is interested in. Also, we can listen to it as many times and at any time of the day as we please. [...]