masterclasses

Avoiding Cello Flightmares

 By Natasha Farny I just completed a four-city recital and masterclass tour of Brazil, which included one car trip, three domestic flights, and one round-trip international flight.  Usually when I travel for concerts, I face the frustration and complexity we all enjoy of bringing the cello onboard, extra ticket gripped firmly in hand.  The slightly unusual aspect of this recent tour was that I used borrowed cellos for each concert.  I left my own instrument at home for several reasons.  Although my room and board was generously covered in each city, most of my flights were not, and I didn’t want to pay close to $1k for the extra plane tickets.  I didn’t want either the physical hassle of carrying it around, nor the emotional/mental hassle from airport personnel in [...]

The F-Word — by Aron Zelkowicz

“Do you play with a regular ensemble?” the lady at Kinko’s asked me. Lately I’ve noticed this to be one of the routine first questions that new acquaintances throw my way, especially in New York.  My theory is that music aficionados latch on to this question, while novices (often in airports, as we can all testify) tend to focus on the size of the cello case and the hilarity of imagining something else inside it: an AK-47, King Kong’s tennis racket, mother. In this instance my cello was not with me, but the scraps of dissected scores scattered across the work station easily gave away my vocation. She asked, “Do you play with a regular ensemble?”, which is exactly the wording that gets me like a deer in headlights. The [...]