Leopold Godowsky

Exiles in Paradise: on the “Hollywood Renaissance” and Finding New Repertoire for the Cello: Part 1

This article is the first installment in a two-part series As cellists, we tend to think of much of the repertoire that we play as European cultural traditions that we have assimilated. We generally associate American musical tradition with Copland, Ives, Gershwin and perhaps a few brief years in the life of Antonin Dvorak. Many musicians are unaware, however, that in the first half of the 20th century, an influx of European refugees, fleeing war and persecution, rapidly formed, within a few square miles near Hollywood, one of the most talented and prolific communities in music history. As they attempted to rebuild their lives in this exotic paradise, they indelibly altered the course of American culture.   Performers living in Los Angeles during this era included Jascha Heifetz, William Primrose, [...]

LA Story: A Recital of New & Unusual Works for Cello & Piano from Hollywood’s Golden Age — by Brinton Averil Smith

Like many string players I grew up loving the Heifetz recording of the Korngold Violin Concerto, and a general obsession with Heifetz led to an interest in the composers he championed, in particular composers like Korngold, Rózsa, Castelnuovo-Tedesco and others who lived in Los Angeles during the mid-20th century. This inspired a project last April to revive the Castelnuovo-Tedesco cello concerto for its first performance since its 1930s debut performances with Piatigorsky and Toscanini. The recording of our 'reboot' will be released this June on Naxos, but reading and studying about Castelnuovo-Tedesco's relationships with the film studios, Heifetz, Piatigorsky, and the other musicians and composers living in LA gave me a new appreciation for the incredible depth of musical talent that existed in Los Angeles in the middle of the [...]