korngold

Exiles in Paradise: on the “Hollywood Renaissance” and Finding New Repertoire for the Cello: Part 2

This article is the second installment in a two-part series   As we discussed in part 1,  war and persecution in Europe created an unprecedented gathering of émigré musical talent in Los Angeles in the mid-20th century,  including Jascha Heifetz, William Primrose, Artur Rubinstein, Otto Klemperer, Bruno Walter, and Lotte Lehmann. Of particular interest to cellists, Los Angeles in this era was also home to top cellists including Gregor Piatigorsky, Emanuel Feuermann (for the last several summers of his life), Kurt Reher, Eleanor Aller (Slatkin), Gabor Rejto, Edgar Lustgarten and Ray Kramer, to name just a few, and the hometown of future stars such as Paul Katz, Laurence Lesser and Nathaniel Rosen.   But perhaps most remarkably, Los Angeles was the home of arguably the greatest collection of composers to [...]

By |2020-03-25T20:51:52+00:00March 24th, 2020|Categories: Featured, Artistic Vision, In the Practice Room, Repertoire|Tags: , , |

Castelnuovo-Tedesco Cello Concerto Revival — by Brinton Averil Smith

June 8, 2018 marked the Naxos release of a live recording of the first professional performance of Italian composer Mario Castelnuovo-Tedesco's 'lost' cello concerto in over 80 years. Castelnuovo-Tedesco's career in his native Italy was cut short by Mussolini's rise, and he spent the latter half of his life in Hollywood, where he scored nearly 200 films, while continuing to compose classical works and teaching students including Henry Mancini, Nelson Riddle, André Previn, Jerry Goldsmith, and John Williams (André Previn tells the story of Mario forcing him to orchestrate Mozart's 40th symphony from memory, and then comparing his orchestration to the economy of Mozart's). Gregor Piatigorsky and Mario Castelnuovo-Tedesco, August 1935 (source unknown) Mario relates that Piatigorsky asked “Castelnuovo, a great many cellists play your works as well [...]

LA Story: A Recital of New & Unusual Works for Cello & Piano from Hollywood’s Golden Age — by Brinton Averil Smith

Like many string players I grew up loving the Heifetz recording of the Korngold Violin Concerto, and a general obsession with Heifetz led to an interest in the composers he championed, in particular composers like Korngold, Rózsa, Castelnuovo-Tedesco and others who lived in Los Angeles during the mid-20th century. This inspired a project last April to revive the Castelnuovo-Tedesco cello concerto for its first performance since its 1930s debut performances with Piatigorsky and Toscanini. The recording of our 'reboot' will be released this June on Naxos, but reading and studying about Castelnuovo-Tedesco's relationships with the film studios, Heifetz, Piatigorsky, and the other musicians and composers living in LA gave me a new appreciation for the incredible depth of musical talent that existed in Los Angeles in the middle of the [...]

Go to Top