history

The Forgotten Live Video Recording: Du Pré & the Dvořák Cello Concerto, 1968 — by Tony Woodcock

The most wonderful video performance of the Dvořák Cello Concerto by Jacqueline Du Pré and Daniel Barenboim was added to YouTube just a few weeks ago. In this CelloBello exclusive blog is a moving, personal description by a young London musician, Tony Woodcock, who was 17 years old at the time. Below he recounts the unexpected political backdrop for this historic concert, which was hastily arranged in response to the 1968 Russian invasion of Dvořák’s home country of Czechoslovakia. Tony Woodcock, by the way, grew up to eventually become the President of the New England Conservatory of Music, and was a primary supporter of the founding of CelloBello.com. My heartfelt thanks to him for his role in making our website possible, and for illuminating us on an extraordinary history that [...]

A Return to “What Makes a Baroque Cellist”: a Slight Digression about Textbooks (Part 1) — by Guy Fishman

My recent posts about “How to Play the Baroque Cello” were brought about by earlier posts in which I attempted to answer the question, “What Makes a Baroque Cellist.” I spent almost as much time contemplating my difficulty in answering this very interesting question as I have finally trying to answer it. Undoubtedly, there are concrete topics that may make up an answer, and I have tried and will continue to discuss these. But my struggle was palpable. That may be because, despite what we all know, see, and hear, ultimately there may not be such a thing as a “baroque cellist,” nor did such a person ever exist. Not now, nor in 1697 or 1732, nor at any other time. And this is because there may not have ever [...]

Know Your Cello — by Wayne Burak

It’s far enough in the past that I can’t remember the exact day it happened.  But I do remember the warning signs—the slightly racing pulse, the sweaty hands and labored breathing—you know, the need to pick up a woodworking plane, some files, chisels and fabricate a cello bridge. I think I had been through several days of lectures on isorhythmic motet, compliments of Eastman music history, when one day my mind drifted into a world of cello parts, setups, fingerboards, tops, backs, ribs, and the most delectable feature – varnish.  Really now, what is more enticing to look at than the iridescent play of colors jumping off of the cello back in the late afternoon sun in the Eastman Annex practice rooms?  It’s simply enough right there to take you [...]