effects

Pezzo Capriccioso, Transitions, Alterations, and Rosin (Edited Version) — by Robert Battey

I am indebted to Aron Zelkowicz for correcting factual errors in the first version of this article, and to Peter Close for locating an on-line version of the original score.   Today’s ruminations are on Tchaikovsky.  And his congenital weakness regarding transitions.  It’s kind of endearing, that such a genius would have this Achilles’ heel; for some reason, his muse regularly deserted him when he needed to stitch together two sections of music. It could be in a placid spot, such as the transition to the jerky second theme in the first movement of the Piano Concerto . . . or the connecting “music” preceding the waltz variation in the A minor Trio. It could also be in a transition meant to increase tension, like the second return to the [...]

Notes from the Field: 12 Cellos are Better Than 1 — by Aron Zelkowicz

I wanted to take a break from behind-the-scenes administrative reporting to share a recent concert experience that might be of interest to those who like to “geek out” about all things cello-related. It might have been Sarah Jessica Parker’s character in Sex and the City (not that I ever watched the show…) who noted that one of the best things about living in New York City is getting out of it once in a while.  So on a scorching July weekend it was invigorating to drive well beyond the numbered streets and convene with eleven other cellists in the town of Hunter, New York—home to some of the highest peaks in the Catskill Mountains. The simplicity of this village and nearby Tannersville was a quaint contrast to Manhattan.  The Catskills [...]