device

K-Bow (Part 1) — by Jeffrey Zeigler

A few weeks ago my quartet traveled to Syracuse University for a week long residency. While there we had many interesting and thought provoking interactions with the student body. Our activities ranged from giving a standard string master class to a screening and discussion about the film Requiem for a Dream to a discussion about how one could navigate their way through the music industry. We also worked with a team of film students for a music television show called Loud and Clear. But perhaps the most distinctive activity of the week involved our concert that utilized a new and extremely innovative technology. The new device that we used is called the K-Bow. Before we continue I need to answer the question: what is the K-Bow? In the simplest terms, [...]

Seeing a Bigger Picture — by Yeesun Kim

As a young cellist, I gratefully accepted my teachers' generous offers of bowings, fingerings and phrasing suggestions to many  pieces I studied. These suggestions were well tested in numerous performances, were given thoughtful evaluation that took into account the personal convictions of many great musicians. At that time, I was not particularly in the habit of questioning and reasoning for myself. In a sense,  other than what I HAD to contribute, I trusted that all this work would and should settle into a successful interpretation. Since becoming the cellist of a professional string quartet (the Borromeo String Quartet), my attitude HAD to change completely. Now, it was not possible to participate in making music without evaluating ALL that was in the score. The pieces in the repertoire of the string [...]