collaboration

What You Did This Summer — by Brant Taylor

We are now in mid-summer, and countless musicians of all types are at various summer music festivals and camps engaging in musical activities that likely differ in some way from the artistic lives they lead during the rest of the year.  Whether a student or a professional, a change of scenery and the opportunity to meet and collaborate with new colleagues has many benefits.  Certainly, for those of us who spend the academic year engaged primarily in one musical activity, summer is a valuable opportunity to do something different. For professional musicians, the tendency to be defined by their "main" musical job or pursuit is strong.  A quick look down the faculty roster of the Mimir Chamber Music Festival, from which I just returned to my full-time position with the [...]

Bernard Greenhouse: January 3, 1916-May 13, 2011

Bernard Greenhouse left us May 13, 2011. Please scroll to the bottom of this posting and add your personal recollections and tributes for Bernie in the comment box. Bernard Greenhouse, one of my true cello heros and a man I loved and admired, passed away this morning in the middle of his 96th year. It was a peaceful death, middle of the night, in his sleep. It was not unexpected, yet it is so hard to accept. Thousands of friends, family and colleagues, generations of students will be saddened by this loss, for his music, his teaching, the legendary warmth of both his cello sound and his personality, have truly inspired the love and devotion of untold numbers. I had been eagerly looking forward to an upcoming visit to Bernie’s home on [...]

To Mic, or Not to Mic — by Jeffrey Zeigler

I must admit that I myself am relatively new to the use of sound design. Previous to joining Kronos I had only dabbled here and there, and even then only in small amounts. Like so many cellists that graduate from conservatory, it really wasn’t something that I encountered very much except in specific 20th century works that required its use. In fact, I would say that, like so many, I viewed the use of amplification as a form of cheating.   To some degree, I do not completely disagree with this notion. Like all tools, it isn’t the tool itself that is the problem, but what one chooses to use it for.  If one uses amplification simply in order to play louder, then you are in fact cheating. However, like any [...]