Chicago Symphony Orchestra Archives

In the Practice Room with Brant Taylor

What is on your music stand right now? https://youtu.be/Regfkiv1UiM What is the first thing you do on the cello every day? https://youtu.be/neIt_yb0hYc Why do you practice? What drives and motivates you? Anything that helped during the pandemic? https://youtu.be/gDuModB0VO0 How do you cultivate inspiration in the practice room? What motivates you? https://youtu.be/pyN0D2lwaW4 How do you stimulate creativity and imagination in the practice room? What is your favorite way to change things up/get new ideas? https://youtu.be/7Tv4EAeAPtE In your mind, what is it that makes an effective practice session? https://youtu.be/Regfkiv1UiM https://youtu.be/MAxveqAY5oI What are the best ways to prevent injury? https://youtu.be/pLVxnguxoS4 What is your balance between technique and repertoire? https://youtu.be/F3ha0jwZGOM How do you manage lots of repertoire at the same time? https://youtu.be/as5W_gi6tlA How [...]

By Brant Taylor|2024-07-05T19:49:00-04:00June 9th, 2024|Categories: Interviews, In the Practice Room|Tags: motivation, In the Practice Room, practice habits, practicing, Brant Taylor, practice tips, daily practice, creativity, inspiration, how to practice, Chicago Symphony Orchestra, New Piece, Learning a new piece, Practice Room, effective practicing|

Hare Krishna, KickStarter and Fundraising in the 21st Century — by Jeffrey Zeigler

Last November, I was driving in my car listening to NPR. I became fascinated by a story by Alix Spiegel regarding the Rule of Reciprocation. Citing the work of Robert Cialdini, an emeritus psychologist at Arizona State University, Spiegel writes that, in a nutshell, the rule of reciprocation is: “If someone passes you in the hall and says hello, you feel compelled to return their greeting. When you don't, you notice it. It makes you uncomfortable, out of balance. That's the rule of reciprocation.” Spiegel goes on to write: “Cialdini noticed a similar phenomenon when he studied Hare Krishnas. In airports, they would…give…people passing by what they described as a gift: a flower, a book, a magazine. Then, after the person had the gift in…hand, they would ask for a [...]

By Jeffrey Zeigler|2017-08-30T11:49:05-04:00March 12th, 2013|Categories: Beyond the Traditional, Self Discovery, Technology|Tags: cellobello, Rule of Reciprocation, Anna Clyne, incentives, Chicago Symphony Orchestra, solo album, Arizona State University, KickStarter, process, supporters, campaign, Krishna, TED talks, Composer-In-Residence, millions of dollars, vision into art, donations, online funding program, work of Robert Cialdini, emeritus psychologist, Paola Prestini, fundraising, entrepreneurs, perks, NPR, funding a project, personal connection, airports, fundraising in the 21st century, raising money, Alix Spiegel, goals as artists, cello, receive funding, Amanda Palmer, Hare|

The Holy Sextet (Part 2) — by Brant Taylor

Part 1 began an exploration of three bow variables that—in addition to the three well-known concepts of weight, speed, and contact point—make up a sextet of basics that should be known and practiced to maximize your control over the string with the bow. We discussed the first and most important, bow angle, in Part 1. The remaining two variables may seem relatively minor, but they are by no means unimportant. If practicing means attempting to find solutions to the challenges of successful instrumental control, you should attempt to understand every potential reason for success or failure with the bow. FLATNESS OF HAIR, or how much of the hair makes contact with the string. Many cellists hold the bow with the stick tilted up (toward the fingerboard) to some degree. This means that [...]

By Brant Taylor|2017-09-01T21:58:08-04:00December 4th, 2012|Categories: In the Practice Room, Self Discovery|Tags: weight, Technique, cello, Shostakovich, cellobello, contact point, Brant, Pinchas, Chicago Symphony Orchestra, Zukerman, CSO, variables, Taylor, bow strokes, cellists, Brant Taylor, Bach, frog, Concerto, bow, success|

When the Music Stops — by Brant Taylor

For those of us for whom a musicians’ work stoppage in the Chicago Symphony Orchestra was something we’d read about in histories of the orchestra but had never experienced in real life, the e-mail message we received last Saturday was a bit of a shock: we were on strike. Much of the "what" and "how" has already been disclosed elsewhere by both sides, so I won't go over that here. Fortunately, the work stoppage was short-lived—about 48 hours—and the musicians have now ratified a new contract that will allow our season to proceed without further disruption. Any orchestral musician who has been through tough negotiations will agree that they’re strange times. An orchestral organization is tiny compared to the global business corporations in the for-profit world that deal with large [...]

By Brant Taylor|2017-07-06T04:17:59-04:00September 27th, 2012|Categories: Orchestra, Performance|Tags: Taylor, audiences, connection, cello, orchestral tours, cellobello, music-making, music, media, Brant, resolution, Chicago Symphony Orchestra, CSO|

Myth Busters — by Brant Taylor

Instrumentalists often prepare for an orchestra audition by seeking feedback on their preparation from a teacher or colleague. Perhaps because my career includes both orchestral playing and teaching, I am frequently asked to coach players who are preparing solo work(s) and orchestral excerpts for a given audition. Some players I hear are very new to the audition game, while others are already seasoned professionals looking to step up to another ensemble or for a promotion in their current group. After years of talking with these musicians about auditions in general and about the specifics of their preparation, I've noticed several assumptions that players sometimes make about auditions. While some of these assumptions are true, and made with good reason, many others are best described as myths. Some of these are half-truths, and [...]

By Brant Taylor|2017-11-09T02:42:34-05:00November 16th, 2011|Categories: Auditions, Orchestra, Performance, Repertoire|Tags: fingerings, Audition, tempo, coaching, expression, repertoire, mistakes, cello, Conductors, Brant, Chicago Symphony Orchestra, potential, CSO, assumptions, orchestra, Instruments, Preparation, musicianship, Taylor, recordings|

Taking it on the Road — by Brant Taylor

One of the most interesting and rewarding aspects of life in a major orchestra is the touring. After "What difference does the conductor really make?" and "How did the orchestra like _____?" (conductor or soloist), the questions I'm asked most frequently by members of the Chicago Symphony Orchestra's devoted audience are almost always about touring. Organizing an extended trip for a large orchestra, especially abroad, is an immense undertaking. The initial planning begins years before the event itself, and all of the logistics that must be in place for things to run smoothly take the full-time attention of dedicated members of the orchestra's administration. There are a couple of travel companies in the U. S. who specialize in taking orchestras on tour, and the CSO uses one of these companies [...]

By Brant Taylor|2017-10-30T05:23:10-04:00October 16th, 2011|Categories: Cello Travel, Orchestra|Tags: trips, Taylor, flying, cello, Travel, cellobello, Conductors, Brant, Touring, cello section, organization, Chicago Symphony Orchestra, orchestral tours, CSO, cello cases, flying with instruments, orchestra|

Two Minutes of Your Time — by Brant Taylor

Early in 2011, the Chicago Symphony Orchestra will hold auditions hoping to fill two vacancies in our cello section. In my twelve years of hearing auditions as a member of this ensemble, hundreds of cellists have presented themselves on our stage. Some have done so several times. Their audience is a committee of nine members of the orchestra who sit behind a screen in our otherwise-empty hall. Some of us take notes during the performances, but the only thing that matters to the process is the simple "yes" or "no" each committee member marks on a blank index card after every player has finished. If a candidate receives at least six "yes" votes in a preliminary audition, he or she advances to the final round. To those unfamiliar with the [...]

By Brant Taylor|2017-08-04T03:27:35-04:00March 14th, 2011|Categories: Auditions, Orchestra|Tags: ensembles, Taylor, Concerto, Excerpts, Time, artistry, Experience, trends, cello, honesty, cellobello, nerves, Auditions, numbers, beauty, Brant, orchestra, cello section, Practice, Chicago Symphony Orchestra, Preparation, CSO, process|