bach celebration

The Bach Suites as You Have Never Seen Them Before — by Antonio Lysy

Hundreds of scholars have studied and written about the Bach Suites, yet we can only speculate about how or when they were first performed. The original manuscript is lost, leaving us with various facsimiles to decipher, and there are no written accounts by Bach’s contemporaries. The one advantage of this predicament is the wide spectrum of artistic decisions on which a cellist is compelled to ruminate, in order to make them “their own.” Apparently the suites were not intended to be performed as a cycle, although this approach has become increasingly common in the last couple of decades. My current perspective, developed over many years of performing and teaching the suites, is that each of the six tells a distinctive story. And, like a series of books or films, each [...]

17 (not so) Random Tips for Practicing the Bach Cello Suites — by Inbal Segev

1. First play the bass line. Then add the top voice. 2. Think about voicing. 3. Sequences. 4. Find circles of fifths and enjoy them! 5. Gestures on slurs—the Baroque bow is heavier at the frog and lighter at the tip and sometimes it's beautiful to show the tapering of sound towards the tip. 6. Show where codas happen. 7. Interrupted cadence? 8. Sigh figures. 9. Be aware of the underlying harmony. 10. Echo effects (not too much!). 11. Vary bow pressure—Baroque bow is heavier on the down bow, lighter on the up bow. This can shape a passage of descending eight notes for example. They are not all equal in length and strength. 12. Gigue—breathe more. Feel like you are about to skip before the start. 13. When playing [...]