articulations

Tak-Sîm (Pt. 2) — by Jeffrey Zeigler

Here in Part Two of my discussion on Tak-Sîm by Alireza Farhang, I am going to focus on his application on various extended cello techniques. On this topic, I found his approach to be quite fascinating and one that I am especially excited to share with everyone here in the cello community. The piece begins with an audio trigger that I execute by pressing on a foot pedal. The trigger is a low, ambient sound that is sonically enhanced when I play a tremolo on the stick of the bow thus creating an almost a breathless quality. Although a relatively simple technique, for this technique I would suggest using what I call a "guilt free" bow. The reason is because there is a large crescendo at the tail end of [...]

New and Old — by Yeesun Kim

This summer I had two very different experiences performing contemporary pieces. The first piece, as it turned out, had several performances spread over two months. Two concerts included working with the composer prior to the concert. The second piece was set up to be only performed once, without the composer's presence and with only two days of rehearsing. Both pieces were quite difficult in their own ways. The first piece called for virtuosity, stamina and the ability to clearly outline the structure and narrative in order to hold the piece together. The second piece was almost the exact opposite. Short and obsessively detailed in its use of sound effects, it abounded in the use of extended techniques.  It employed extremely soft dynamics and seemed to purposefully obscure perceptible structure in [...]