celloblog

Celloblog2019-10-30T15:51:31+00:00

The “Instead” List

While the list of pieces that appear in cello-piano recitals is incredibly short - same 10 pieces keep circulating in different order - we cellists actually have very large repertoire. Orchestras don't program much more than 10 Concertos and apart the Bach Suites there are maybe 5 pieces that make their way to concert programs. There are always multiple reasons for great music falling out of general attention. It may have to do with style, gender, origin, problems of notation, lack of publisher, wrong publisher, fashion, lack of social skill, too keen self promotion or any combination of these. Often the reasons have nothing to do with the quality of the music. And the quality itself is totally dependent on who is the messenger, in the wrong hands most music [...]

Exiles in Paradise: on the “Hollywood Renaissance” and Finding New Repertoire for the Cello: Part 1

This article is the first installment in a two-part series As cellists, we tend to think of much of the repertoire that we play as European cultural traditions that we have assimilated. We generally associate American musical tradition with Copland, Ives, Gershwin and perhaps a few brief years in the life of Antonin Dvorak. Many musicians are unaware, however, that in the first half of the 20th century, an influx of European refugees, fleeing war and persecution, rapidly formed, within a few square miles near Hollywood, one of the most talented and prolific communities in music history. As they attempted to rebuild their lives in this exotic paradise, they indelibly altered the course of American culture.   Performers living in Los Angeles during this era included Jascha Heifetz, William Primrose, [...]

Finding Purpose and Growth as an Adult Amateur Cellist

Growing up, I never really wanted to be a cellist.  I liked to play the cello and I could hold my own, but I just didn’t have the passion to see it through past college.  Instead, I became an elementary teacher and now a district administrator.   From that time, I played in several chamber and community symphonies; just cruising along with an incorrect mindset, a secret envy of my music major friends, and not really bettering my skills. I was busy with a teaching job, a young family, and cello was a bittersweet diversion...Time marched on.   Several years ago, I had an incident in my life that very abruptly indicated to me that I needed the cello in my life and that I needed to start improving my [...]

By |January 3rd, 2020|Categories: Artistic Vision, Self Discovery, Teaching|Tags: , , , , |

How to Find the Right Instrument: The Pitfalls of Cello Shopping

Whether you have the means to buy a modern (starting at € 25.000), an old Italian (starting at something like € 250.000 and up into the sky) or a nice elderly French, German or English (somewhere in between) instrument, you can drive yourself crazy in finding “the right one". Amateurs, students, and professional players face similar problems.   First we hardly ever get to try all the available instruments at the same time. We have to travel to see/try them in different acoustics under different circumstances. This makes it almost impossible to compare them as we rely entirely on our memory, which is awfully subjective and selective. On top of that every space has its own feel and sound, and most players (including the writer) feel different even with their [...]

By |November 27th, 2019|Categories: Performance|Tags: , , , |