Mickey Katz

Mickey Katz

About Mickey Katz

Mickey Katz joined the Boston Symphony Orchestra in September 2004. A native of Israel, he has distinguished himself as a solo performer, chamber musician, and contemporary music specialist. He received the Presser Music Award in Boston, the Karl Zeise Prize as a Tanglewood Music Center Fellow, and won first prizes at the Hudson Valley Philharmonic Competition and the Rubin Academy Competition in Tel Aviv. He has been a recipient of the America Israel Cultural foundation scholarships since 1988. As soloist, he has performed with several Israeli orchestras and locally with the Civic Symphony of Boston, Symphony Pro Musica, and the Hudson Valley Philharmonic. Mr. Katz is a passionate performer of new music. He premiered and recorded Menachem Wiesenberg’s Cello Concerto with the Israel Defense Force Orchestra and has performed several American and Boston premieres of Elliott Carter’s music, working with the composer. He also worked with composers György Kurtág, John Corigliano, Leon Kirchner, and John Harbison in performing their music. Following his success in performing new music as a fellow at the Tanglewood Music Center, he was invited back to Tanglewood in the summer of 2002 as a member of the New Fromm Players, an alumni ensemble in residence, performing challenging new works and collaborating with young composers. An active chamber musician, Mickey has performed in such venues Weill Hall at Carnegie Hall and Alice Tully Hall in New York, Jordan Hall in Boston, the Gallerie dell’Accademia in Venice, Italy, and Salle Gaveau in Paris, as well as all the major venues of Israel. He participated in the Marlboro Festival and was invited to take part in the Musicians from Marlboro tour. He has collaborated in performances with distinguished players such as violinists Pinkhas Zukerman and Gil Shaham, violists Tabea Zimmermann and Kim Kashkashian, members of the Juilliard and Guarneri string quartets, and pianist Gilbert Kalish. Mickey completed his mandatory military service in Israel as a part of the “Distinguished Musician Program”, playing in the Israel Defense Force String Quartet, a group that performs throughout the country both in classical concerts and in many outreach and educational concerts for soldiers and other audiences. He graduated from the New England Conservatory in Boston, where he was a Piatigorsky scholarship student of Laurence Lesser. His teachers included Paul Katz, Uzi Wiezel, Hillel Zori, and Uri Vardi. He teaches privately and is on the faculties of the Tanglewood Music Center and the Boston University Tanglewood Institute.

bso.org

Stage-dreaming — by Mickey Katz

A few days ago I was on the Symphony Hall stage, playing Brahms’s A German Requiem in concert.  While playing the second movement, I started thinking about what I was going to make for dinner the following night. The last time I cooked it, I thought, it came out a little dry. Maybe this time I should… But wait a second, I was playing one of my favorite pieces in one of the world’s best halls, with a great orchestra and a great conductor, how could I not be completely absorbed in what I was doing? Was I the only one on stage whose mind was wandering, and if not—did anyone in the audience notice? I was aware that I was a part of a great concert, and the audience [...]

Holiday Blues — by Mickey Katz

It’s an exciting time for the BSO, as we’re finishing a week of concerts and preparing to go on our first tour in a long time, playing some major pieces by Berlioz, Bartok, Harbison, Mozart, Carter, Brahms, Wagner, Ravel and Mahler (really).  But every visit to a retail store or a coffee shop reminds all of us of the inevitable—the day after we return to Boston is our first concert of Holiday Pops. In just over a week, the Miraculous Mandarin will turn into Frosty the Snowman, and Daphnis and Chloe into Rudolf the Red-Nosed Reindeer. The Boston Pops has been the alter ego of the Boston Symphony since 1885, and is an integral part of the job of orchestra members. During the holidays we’re required to do a good [...]

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